Download PDF , by Groucho Marx
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, by Groucho Marx
Download PDF , by Groucho Marx
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Product details
File Size: 12603 KB
Print Length: 378 pages
Publisher: Muriwai Books (July 11, 2017)
Publication Date: July 11, 2017
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B074T3MGR9
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Amazon Best Sellers Rank:
#62,456 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Groucho Marx dropped out of school when he was 12 years old. Even so, he was considered the "scholar" of the family, compared to his brother Harpo, who dropped out of the first grade. While other poor Jewish families stressed education as a means of moving up in the world, Minnie Marx put her faith in getting her five sons into show-business. Despite the fame and fortune he achieved as an entertainer, Groucho Marx always longed to be a writer.And thanks to a lifetime of reading, he became a writer and a damned good one. He's quick to correct any impression the reader might have that this book is another "as-told-to" celebrity memoir. With typical self-deprecating bravado, he brags that, " every word of this stringy, ill-written farrago is being sweated out by me."It's far from ill-written. Instead it's a wonderfully readable autobiography and it tells his version of the amazing journey of the Marx brothers from a New York tenement to Beverly Hills mansions. They were an "over-night" sensation in the sense that they burst into prominence after years of making a precarious, painful living in small-time vaudeville. Once they played the Palace in New York city (ultimate venue for vaudeville performers), they went on to Broadway productions, and then into the movies that would make them a household word. When television eroded the popularity of movies, the versatile Groucho exploited his quick wit to become a successful TV host.When this book was published in 1959, Marx was approaching 70 and living with his third wife Eden and with Melinda, the daughter of his second marriage. There are funny stories about Melinda, portraying him as a loving, if grumpy father. Eden is praised as a "beauty" and very little else is said about her. In a few more years, that marriage would go the way of the first two and his relationship with Melinda would become as strained as his relationships with his older children.He tells his life story in a series of amusing anecdotes that pretty much ignore the hardships his family experienced. He says in his introduction that he believes it to be impossible to write a truly honest autobiography and warns his readers not to expect one. The weakness of this book is not that he's dishonest, but that he reveals almost nothing of himself to his readers.We learn nothing meaningful about his relationships with his parents or siblings. His first two marriages are ignored. There are funny stories about his son Arthur Marx, but his older daughter Marion is never mentioned. Typically, he dedicates the book, not to his parents, wife, or children, but to six writers who inspired him. He seems to be saying, "My private life is none of your business." A legitimate attitude, but a strange one in a man who's writing his autobiography.You finish this book having enjoyed lots of belly laughs. You marvel at Groucho's skill at telling amusing stories. You feel privileged to have a peek into the fascinating, almost unbelievable world that was the entertainment industry in the first half of the 20th century.You meet some incredible people, but you never really meet the man who wrote the book. He uses laughter to hide his emotions. His son later wrote that his father consistently used jokes to maintain an emotional distance from his wives and children. A very, very funny man, but not one you want to live with. As entertainment, this is a fine book. I wish that this sensitive, intelligent man had opened up his heart, but apparently he couldn't. That was the great tragedy of his life.
Without even trying, Groucho Marx was a very funny man. He was irreverent and cutting, but never malicious. You should read his letter to Warner Brothers when they sent him a 'cease and desist' letter about the movie Night in Casablanca. If you are looking for a non-autobiography autobiography, this is it. He constantly tries to avoid talking about his personal life, but the whole book is clearly about his personal life. There just aren't any like him left out there anymore.
This wonderful autobiography of Groucho Marx that will leave you laughing from start to finish. It is very thought provoking and timeless in nature despite the many pop and historic references. Some you will probably not understand because pop culture has long since forgotten them. The chapter describing the time leading up to the stock market crash is both remarkably insightful and comedic. It is one great read.
More oblique humor, much less direct sense of the person. I liked "Harpo Speaks" much more. Groucho and Me does report what author considers some facts of his early natal family, early entertainment, vaudeville circuit, movies, celebrity, but he's miserly on him as a person—except what reader infers by the lack of such content.
Despite many infuriating typos, particularly in the first ten pages, this was a fun book to read. The humor still shines through. It is more of a memoir than an autobiography, though. It’s not a comprehensive account of his life.
Odd that a book written by someone I consider the Funniest Man In The World, my single favourite comedian of all time, should be such a disappointment. Published in 1959 at the height of his popularity on the comedy-quiz radio and TV program You Bet Your Life, this is more of an anti-autobiography, Groucho Marx characteristically doing his anarchic thing by telling only briefly of his youth and early stage successes in vaudeville and on Broadway and then veering off constantly (and unsteadily) into meditations on love, sex, marriage, Hollywood and even the poor souls at the publishing company who actually expect him to write a "straight" account of himself, which he of course refuses to do.Groucho Marx, it's been said, had a natural inborn greatness that defied analysis (but I'll still try!). There was something about his silly walk, his nasal whine, his defiance, his sudden punning broadsides, and sheer anarchic presence that just was Funny Incarnate. He is famous for a long stream of clever, provocative one-liners and for just saying such random, improvisational things onstage as "Pardon me while I have a strange interlude", or, "You're very fortunate the Theatre Guild isn't putting this on. And so is the Guild".Just looking at those isolated lines in an Amazon.com review you already see it; this is a type of comedy that's probably not so good on paper.Dick Cavett always says Groucho was "a great writer", but I disagree. I think Cavett's appraisal is colored by his personal fondness for his old friend, the irresistibly playful and sneaky sound of Groucho's voice, and this is what Cavett really cherishes and misses. I believe a great deal of what made Groucho funny was thus performance; unlike Peter Cook, Woody Allen, Monty Python, or Bob & Ray, whose material was funny just to read. Groucho and the Marx Brothers benefitted enormously from their writers, George S. Kaufman, Morrie Ryskind, S. J. Perelman, Arthur Sheekman, Nat Perrin, etc. Basically they provided the structure and the brothers would polish and embellish. It's possible that Groucho's, dare I say it, shortcomings, are less noticeable in the Marx Brothers' many wonderful movies; flanked as he was by brother Chico's malapropisms, illogic, and crazy piano playing, plus Harpo's madcap pantomime and harp playing. The Marx Brothers as a unit are as strong and entertaining a comedy team as I could possibly imagine. Their originality and talent remain stunning, their mark on comedy history of course indelible. But on his own, Groucho always seemed too meandering, which is what Steve Allen might have been getting at (in his book Funny People's chapter on Groucho) about not considering Groucho's own "act" as being very strong. There is some truth to it; after the Marx Brothers amicably broke up Groucho never even tried to be a regular stand-up comic in nightclubs, which was wise. He was clearly at his very best in impromptu conversation, something his producers on You Bet Your Life seemed to know better than Groucho himself.Ultimately he's a good writer because he's charming. The reason he isn't a great writer is his disregard of structure. That's why The GrouchoPhile, his later autobiography, is so much better; the structure. And, tellingly, it was written by Groucho and Someone Else.Groucho and Me, by contrast, is good but not great. Still, I love and cherish my 1960 paperback copy of it...because it's got that iconic Groucho Marx rolled-eye, chin-on-fist-holding-cigar-pose and a facsimile of his signature on the cover. Pathetic fan-boy that I am. ☺
A fine book. Learn about his early life and much more. One of the greatest comedians of the age. I enjoyed this book so much, I will be reading other books written by the one and the only GROUCHO.
Perhaps the best of the books Julius ("Groucho") Marx wrote about himself and his colorful family. The price is very attractive.
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